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“Rarely do you find a film where you can watch and see something you’ve never seen before,” said the film’s executive producer, John Lasseter, a longtime friend of Miyazaki. Even spiders and scarecrows have a soul in Miyazaki’s hands. In “Howl’s Moving Castle,” the demon Calcifer and the dog Heen almost steal the show.
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“You really need to take a step back to appreciate everything.”Įver since his landmark children’s film “My Neighbor Totoro,” Miyazaki has been famous for his ability to make nonhuman and even nonspeaking characters rich and complex. “There’s so much color, there’s so much detail,” Dempsey said.
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Visually, Miyazaki’s version of the fantasy realm of Ingary is far more sumptuous than Jones’ descriptions. While the film starts off remarkably close to the book, it isn’t long before Miyazaki’s sensibilities take center stage. “In a Miyazaki film, he is the storyteller,” explained Pete Docter, who directed “Monsters Inc.” and, along with Rick Dempsey, co-directed the English-language dub of “Howl’s.” “In America, making an animated feature is such a collaborative process, but he just locks himself in a room and starts writing and drawing.” When she sets off in search of a way to reverse the curse, Sophie crosses paths with the wizard Howl, a lovable cad who, when he’s not off stealing young women’s hearts (some say literally), lives in an ambulatory castle with his fire demon, Calcifer, and a young apprentice.įor Miyazaki, making a straightforward adaptation was out of the question. “Howl’s” tells the story of Sophie Hatter, a modest and thoroughly normal girl who is transformed into an old woman by the Witch of the Waste. With its warring wizards, quirky and cute characters and magical transformations, the book practically howls to be animated. It’s easy to see what attracted Miyazaki to “Howl’s Moving Castle,” the 1986 novel by prolific Brit scribe Diana Wynne Jones. On Friday, Walt Disney Studios will release an English-language dub of “Howl’s,” in collaboration with Pixar Animation Studios and featuring the voices of an all-star cast led by Christian Bale, Jean Simmons and Billy Crystal. (He previously contributed as an animator to adaptations of “Heidi” and “Anne of Green Gables.”) In fact, while many of his films feature castles, witches and Alsatian vistas, this is the first time he’s directed a film adapted from Western source material. Miyazaki’s latest project, “Howl’s Moving Castle,” is no exception. How fitting, then, that Japan’s top animator, Academy Award winner Hayao Miyazaki, still looks to Old Europe and English literature for inspiration. In an endeavor to return to normal, Sophie must accompany Howl and a myriad of eccentric companions-ranging from a powerful fire demon to a hopping scarecrow-in his living castle, on a dangerous adventure as a raging war tears their kingdom apart.Japanese animation has been influencing American pop culture for years now, appearing in everything from “Teen Titans” to Tarantino to Nike ads. Unfortunately, this encounter, brief as it may be, spurs the vain and vengeful Witch of the Waste-in a fit of jealousy caused by a past discord with Howl-to put a curse on the maiden, turning her into an old woman. However, Sophie's simple life takes a turn for the exciting when she is ensnared in a disturbing situation, and the mysterious wizard appears to rescue her.
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Sophie, as the plain daughter of a hatmaker, does not expect much from her future and is content with working hard in the shop. That castle is home to the magnificent wizard Howl, infamous for both his magical prowess and for being a womanizer-or so the rumor goes in Sophie Hatter's small town. Plot Summary: That jumbled piece of architecture, that cacophony of hissing steam and creaking joints, with smoke billowing from it as it moves on its own.